The following is a self-explanatory letter I sent to Metro (the freebie daily London newspaper):
The Metro on 26 May contained a theatre review (by Claire Allfree) of a play called "The Daughter". According to the review the play looks at how an 'ordinary young Palestinian woman' is driven to 'suddenly turn to martyrdom' (meaning she decides to become a suicide bomber). The review goes on to say: "Horrified, her drunken father decides to go instead, only to get caught at the border. The Israeli police demand his daughter's virginity in exchange for his life..." The review then states that the Director "deliberately refuses to give .. much of a political or religirous argument".
If your reviewer genuinely believes that a play that portrays Palestinian suicide bombers as heroes and Israeli police as rapists and blackmailers is "non political" then she has clearly been fooled by the casual, but incessant, demonisation of Israel that has been promoted by the media over the last few years. The notion that Palestinians are suddenly, out of sheer desparation, driven to become suicide bombers is a media myth. No Palestinian suicide bombing has ever been anything other than intensely well planned and financed, with willing recruits always available because of the long-term indoctrination of hatred practiced by all Palestinian political organisations. Your reviewer (and the Director) also appears to be unaware that, rather than expressing "horror" the parents of Palestinian suicide bombers inevitably rejoice publicy in their child's 'martyrdom' and the Palestinian Authority has always bestowed the highest respect on both the 'martyrs' and their parents. It is also worth pointing out that there has never been a single recorded instance of an Israeli policeman raping a Palestinian woman. In contrast, here is a recent example of the kind of brutal act perpetrated regularly by Palestinians: on 4 May 2006 a Palestinian (Anwar Ahdush) working illegally in Israel